The Cameras and Gear We Use for Boston Video Production in 2025
When you’re hiring a video production company in Boston, you’re not just hiring people – you’re hiring their tools, experience, and creative vision. At Bunker Hill Media, we believe being transparent about the gear we use helps clients understand the level of quality we bring to every project. The cameras, lenses, lighting, audio, and grip equipment we bring to set aren’t just name brands – they’re professional tools that allow us to create cinematic visuals and reliable results for corporate videos, brand stories, testimonials, and events across Boston.
Here’s a look at our gear in 2025, why we’ve chosen Sony as our camera ecosystem, and how this setup helps us deliver professional videography services in Boston and beyond.
Why We Shoot on Sony
If you’ve researched video production, you know that the Sony name carries weight. There’s a reason Boston videographers and production houses around the world trust Sony. Their cameras are versatile, reliable, and consistently push the industry forward.
Sony’s Cinema Line (which includes cameras like the FX6, FX3, and FX30) is designed specifically for professional filmmakers. These cameras offer excellent dynamic range, industry-standard color science, and low-light performance that allows us to keep filming even in challenging environments. For us, Sony represents a balance of cutting-edge technology and real-world dependability.
We also value how Sony cameras integrate seamlessly across bodies – using the FX6 as our A-cam and the FX3 as a B-cam means footage matches beautifully in post. Whether we’re filming a corporate video in Boston, a brand story, or event video coverage, Sony gives us confidence that the footage will not only look incredible but also stay consistent across multiple angles and cameras.
Our Camera Package
Sony FX6: our primary A-camera. This cinema-grade camera delivers incredible image quality, wide dynamic range, and robust codec options. It’s built for professional productions and has become the backbone of our work in Boston brand video production and Boston commercial video production.
Sony FX3: our B-camera and gimbal setup. Compact and lightweight, the FX3 gives us flexibility for handheld and dynamic shots. It’s perfect for event videography in Boston, when we need to move quickly without sacrificing quality.
Sony A7III: still a trusted option in our kit, especially for photography and hybrid shoots. While we focus on video, we occasionally capture photos to support campaigns, and the A7III is a versatile tool for that role.
By sticking with the Sony ecosystem, we can streamline our workflow and deliver polished, consistent results to clients who expect the best from a Boston video production company.
Lenses That Shape the Story
The right lens can completely change the feel of a shot. Our lens package is carefully chosen to cover a wide range of needs, from sweeping cinematic visuals to intimate close-ups.
Sony FE 16–35mm f/2.8 GM: ideal for wide shots, establishing footage, and gimbal work. This lens is perfect for capturing immersive b-roll during Boston event videography.
Sony FE 24–105mm f/4 G OSS: our go-to lens for versatility. From interviews to product shoots, this lens is flexible enough to handle most situations.
Sony FE 70–200mm f/2.8 GM OSS II: the choice when we need compression and intimacy without being physically close. Fantastic for testimonials or stage events where we need distance.
Sony FE 35mm f/1.4 GM and Sony FE 50mm f/1.4 GM: our prime lenses for crisp, cinematic interviews. These lenses produce the kind of depth and clarity that makes testimonial and documentary-style video production in Boston look polished and professional.
This range of lenses ensures that no matter the production type, we always have the right glass for the job.
Lighting: Creating the Mood
No matter how good your camera is, lighting makes or breaks the shot. At Bunker Hill Media, we utilize a variety of professional lighting gear from Aputure and Nanlite, which allows us to adapt to any environment.
We rely on three-point lighting principles for interviews and controlled setups:
Key light (often an Aputure 600X or 600D or Nanlite Forza Series) provides the main illumination.
Fill light (usually a ProMaster LED light panel) balances the shadows and keeps subjects looking natural.
Back light (often Nanlite Pavo Tubes) separates the subject from the background, adding depth and polish.
In other studio-based scenarios, we utilize a mix of spotlights, panels, tubes, and modifiers to achieve optimal illumination.
We also aim to utilize natural light whenever possible, and our setups often include a mix of natural and added light to create the perfect look.
These setups are why our corporate video production in Boston and branded content shoots look cinematic rather than flat. Lighting creates mood, professionalism, and trust – all essential for video that represents your business.
Audio: Crisp and Reliable
Bad audio can ruin great visuals, which is why we take sound seriously. Depending on the production, we use:
Shotgun microphones like the Sennheiser MKH 600, MKH 416, or Deity S-Mic 2 on a boom for directional, natural sound.
Rode Wireless Go II wireless mic systems paired with professional-grade lavaliers for mobility and interviews where mics need to be concentrated, but unobtrusive.
Recording setups that feed both directly into our Sony FX6 or Sony FX3 and a Zoom H5 recorder for redundancy.
For on-the-fly shoots like event video coverage in Boston, that redundancy is key. We plan carefully to ensure audio is captured cleanly from multiple sources so nothing is lost.
Grip and Support
Behind the scenes, our grip package – stands, clamps, modifiers, flags, and diffusers – allows us to control light and shape every scene. This means we can confidently tackle shoots of any size, from corporate brand videos to large-scale Boston event videography projects.
Why This Gear Matters for Clients
When you search for Boston video content creation, you’ll see a lot of companies. What sets Bunker Hill Media apart isn’t just our gear list, but how we use it. Cameras, lenses, lights, and audio equipment are tools – but in the hands of an experienced team, they become the building blocks for cinematic, effective storytelling.
By investing in Sony’s Cinema Line, top-tier lenses, professional audio, and versatile lighting, we’re able to provide clients with confidence. Whether you’re hiring us for corporate video production Boston, testimonial video production Boston, or Boston commercial video production, you’re getting a team that’s fully equipped to deliver professional results every time.
Final Thoughts
Great video doesn’t just happen. It requires planning, skill, and the right tools. At Bunker Hill Media, we’ve built our kit around reliability, flexibility, and professional standards – because when you hire a Boston video production company, you deserve results that look and sound amazing.
If you’re searching for Boston videographers who bring not just passion but also the best tools for the job, let’s talk. We’d love to help you create video content that tells your story the right way.
Video Production Gear FAQ
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At Bunker Hill Media, we primarily use the Sony FX6 as our A-camera, with the Sony FX3 as our B-cam or gimbal setup. We also use the Sony A7III for photography when a project calls for stills. These Sony cameras give us cinematic image quality, reliability, and consistency across all types of productions in Boston.
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Sony’s Cinema Line is trusted worldwide for its dynamic range, color science, and low-light performance. For us, Sony represents reliability and consistency. Whether we’re filming a corporate video in Boston, a brand film, or event coverage, Sony helps us deliver footage that looks polished and professional every time.
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We often use prime lenses like the Sony FE 35mm f/1.4 GM and Sony FE 50mm f/1.4 GM for interviews. These lenses give us crisp detail and shallow depth of field, making testimonials and branded content look cinematic. For more general use, we rely on the Sony FE 16–35mm f/2.8 GM and Sony FE 24–105mm f/4 G OSS.
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Audio is just as important as video. We use shotgun microphones like the Sennheiser MKH 600 or MKH 416, or wireless systems like the Rode Wireless Go II with lavaliers. Depending on the project, we record directly into our A-camera or into a Zoom H5 recorder for extra redundancy. This ensures clear, professional audio on every shoot.
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Yes! We use a range of lighting from Aputure and Nanlite to create cinematic setups, with key, fill, and hair lights for interviews and controlled environments. Our full grip package – stands, modifiers, clamps, and more – allows us to shape light and handle shoots of any size, from small testimonial videos to large-scale Boston event videography.
