Why We Chose The Sony FX6 For Professional Video Production

People ask us about cameras all the time. They're the most visible part of what we do and they're usually the thing people notice first when we walk onto a set.

But if I'm being completely honest, the reason we chose the Sony FX6 has very little to do with image quality.

Don't get me wrong, the image is beautiful. But we're at a point where a lot of professional cameras produce beautiful images. The thing that separates a great camera from a camera that's actually useful for client work is everything else.

The Sony FX6 is Great for Interview Video Production Projects

Check out this awesome video we shot for CVS on our FX6s!

At Bunker Hill Media, most of our projects revolve around interviews. We're filming founders, executives, customers, donors, employees, alumni, and community members. Sometimes we're filming in offices. Sometimes we're filming in schools. Sometimes we're filming in hotel conference rooms, laboratories, manufacturing facilities, or nonprofit organizations. Every location is different. Every interview subject is different. Every project comes with its own challenges.

After a while, you stop obsessing over specs and start obsessing over reliability.

That's really why we bought our first Sony FX6.

When you're filming a personal project and something goes wrong, it's annoying. When you're filming a client project and something goes wrong, it can become a much bigger problem. The camera needs to work. Every time. No surprises. No weird issues. No fighting with menus while a CEO is sitting in front of you waiting for the interview to begin.

Easy to Travel With

Over the last few years our FX6s have traveled all over the country with us. They've been packed into overhead bins, checked cases, rental cars, production vans, conference centers, schools, offices, and hotels. They've been used on fundraising videos, customer testimonials, recruitment videos, executive interviews, and brand films.

They simply work.

And honestly, that's probably my favorite thing about them.

Most of the work we do requires us to focus on people. We're trying to make interview subjects comfortable. We're listening carefully to their answers. We're thinking about story structure, follow-up questions, b-roll opportunities, lighting, audio, and pacing. The last thing I want to be doing during an interview is worrying about whether my camera is going to cooperate.

The FX6 gets out of the way and lets us focus on the actual work.

Easy Set Up

One of the things I've grown to appreciate most is how well the camera fits the way we shoot interviews. The built-in ND filters are something I genuinely miss when I use other cameras. If we're filming in a room with large windows and the light changes throughout the day, I can make adjustments almost instantly without changing the look of the image. That sounds like a small thing until you're filming interviews all day and realize how much time it saves.

The autofocus is another feature that I probably take for granted now. Most of the time we're operating manually, but there are plenty of situations where reliable autofocus is incredibly helpful. Whether we're filming b-roll, working in a tighter environment, or moving quickly between setups, it's one less thing to worry about.

But honestly, the biggest reason we chose the FX6 is because of the type of company we wanted to build.

Why We Love it

When Sam and I started Bunker Hill Media, we weren't trying to become a social media content factory. We weren't trying to shoot hundreds of vertical videos every month. We wanted to focus on thoughtful, interview-driven storytelling. We wanted to create brand videos, customer stories, nonprofit films, recruitment videos, and fundraising campaigns.

The FX6 felt like a camera that was built for exactly that type of work.

Most of our interviews are filmed with two cameras. Having two matching camera bodies makes production easier, editing easier, and color matching easier. It also gives us redundancy, which is something clients rarely think about but professionals think about constantly.

If we're filming a founder who only has thirty minutes available or an executive who flew across the country for an interview, we don't get a second chance if something goes wrong. Having two professional camera bodies gives us confidence and gives our clients confidence.

That peace of mind is worth a lot.

I should also say that I don't believe the FX6 is the reason our videos are successful.

The camera isn't what makes people emotional.

The camera isn't what makes an interview compelling.

The camera isn't what creates trust between an audience and the person on screen.

That's story.

That's preparation.

That's interview technique.

That's editing.

But if you're going to spend your days filming interviews, creating brand videos, and producing content for clients, you want tools that support that process instead of getting in the way. For us, that's exactly what the Sony FX6 does.

It's reliable. It's flexible. It's easy to work with. It performs beautifully in almost every environment we put it in. Most importantly, it allows us to spend less time thinking about cameras and more time thinking about people.

And at the end of the day, that's where the best videos come from anyway.